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Paul Klee (Münchenbuchsee bei Bern 1879 - Muralto 1940); Stage Rehearsal, 1925; watercolour, pen and black in on paper mounted on board, 46 x 29 cm

Paul Klee (Münchenbuchsee bei Bern 1879 - Muralto 1940); Stage Rehearsal, 1925;

Masterpiecedaily: Orazio Gentileschi Lute Player 1626

Masterpiecedaily:  Orazio Gentileschi Lute Player 1626

Théodore Rosseau (Paris 1812 - Barbizon 1867), Twilight Landscape, 1850

Théodore Rosseau (Paris 1812 - Barbizon 1867), Twilight Landscape, 1850

Kees Van Dongen (Delfshaven, Rotterdam, 1877 - Monte Carlo, 1968), Woman On Sofa, 1930

Kees Van Dongen (Delfshaven, Rotterdam, 1877 - Monte Carlo, 1968), Woman On Sofa,

Vasily Dmitrievich Polenov (Saint Petersburg 1844 - Tula 1927); White Horse, Normandy; 1874

Vasily Dmitrievich Polenov (Saint Petersburg 1844 - Tula 1927); White Horse, Normandy;

Enzo Cucchi (Morro D'alba, 1949), Bronze Sculpture (Detail)

Enzo Cucchi (Morro D'alba, 1949), Bronze Sculpture (Detail)

Jan Van Goyen (Leiden 1596 - The Hague 1656), Landscape With Skaters, 1643

Jan Van Goyen (Leiden 1596 - The Hague 1656), Landscape With Skaters, 1643

Deadpaint: Titian, Rape Of Europa (1559-62)

Deadpaint:  Titian, Rape Of Europa (1559-62)

Alongtimealone: Edouard Vuillard (1868 - 1940)

Alongtimealone:  Edouard Vuillard (1868 - 1940)

Museumuesum: Wendell Macrae Summer In New York, Circa 1930 Gelatin Silver Print, 6 1/2 X 4 5/8 Inches (16.5 X 11.7 Cm.)

Museumuesum:  Wendell Macrae Summer In New York, Circa 1930 Gelatin Silver Print,

Umberto Boccioni (Reggio Calabria 1882 - Verona 1916), Il Bevitore (The Drinker), 1914; Oil On Canvas, 87 X 88 Cm; Pinacoteca Di Brera, Milano

Umberto Boccioni (Reggio Calabria 1882 - Verona 1916), Il Bevitore (The Drinker),

Neurosciencestuff: Neurons Subtract Images And Use The Differences Efficient Reduction Of Data Volumes Researchers Have Hitherto Assumed That Information Supplied By The Sense Of Sight Was Transmitted Almost In Its Entirety From Its Entry Point To Higher

Neurosciencestuff:  Neurons Subtract Images And Use The Differences Efficient Reduction

Deadpaint: Artemisa Gentileschi, Self Portrait As The Allegory Of Painting (La Pittura), Ca. 1638-39

Deadpaint:  Artemisa Gentileschi, Self Portrait As The Allegory Of Painting (La Pittura),

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