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Pieter Neeffs the Elder (Antwerp, c. 1578 - 1656); Interior of Antwerp’s Cathedral, n/d; oil on panel, 107 x 75 cm

Pieter Neeffs the Elder (Antwerp, c. 1578 - 1656); Interior of Antwerp’s

Gustave Caillebotte (Paris 1848 - Gennevilliers 1894); View Of Roofs, Paris (1878); Oil On Canvas, 65 X 50 Cm

Gustave Caillebotte (Paris 1848 - Gennevilliers 1894); View Of Roofs, Paris (1878);

Poboh: Escape, Alice Jane Donkin, 1862, Lewis Carroll (Charles Lutwidge Dodgson). English (1832 - 1898) Akademia Fotografii Dzieciecej.pl

Poboh:  Escape, Alice Jane Donkin, 1862, Lewis Carroll (Charles Lutwidge Dodgson).

Willem Roelofs (1822 Amsterdam - 1897 Berchem); Landscape In An Approaching Storm, 1850; Oil On Canvas, 140 X 90 Cm; Rijksmuseum, Amsterdam

Willem Roelofs (1822 Amsterdam - 1897 Berchem); Landscape In An Approaching Storm,

Winslow Homer (Boston 1836 - Prout&Amp;Rsquo;S Neck, Maine, 1910), Spanish Moss At Tampa (1886)

Winslow Homer (Boston 1836 - Prout&Amp;Rsquo;S Neck, Maine, 1910), Spanish Moss At

Loverofbeauty: Franz Kline:  Lavender Rust  (1957)

Loverofbeauty:  Franz Kline:  Lavender Rust  (1957)

Georges Lemmen (1865 Schaerbeek - 1916 Bruxelles), Portrait Of The Artist&Amp;Rsquo;S Sister (1891)

Georges Lemmen (1865 Schaerbeek - 1916 Bruxelles), Portrait Of The Artist&Amp;Rsquo;S

Michelangelo (Michelangelo Buonarroti; Caprese [Now Caprese Michelangelo], Arezzo, 1475 - Roma 1564); Tomb Of Pope Julius Ii (Lower Half) With The Moses, 1513-15 - 1542-45; Church Of San Pietro In Vincoli, Roma

Michelangelo (Michelangelo Buonarroti; Caprese [Now Caprese Michelangelo], Arezzo,

Lyghtmylife: Amedeo Modigliani (Italian, Modernism, Expressionism 1884-1920) Nude Bust, 1915 Red Gouache And Black Ink Wash On Wove Paper, 14 X 10-5/16 Inches (35.56 X 26.19 Cm) Minneapolis Institute Of Arts, Minneapolis, Minnesota, Usa

Lyghtmylife:  Amedeo Modigliani  (Italian, Modernism, Expressionism 1884-1920) Nude

Currentsinbiology: “Nickel Tailings #34,” Sudbury, Ontario, Canada, 1996 Tailings Are The Materials Left Over After The Process Of Separating The Valuable Portion From The “Unwanted” Portion Of An Ore. The Bright Orange In The Above Photo Is

Currentsinbiology:  “Nickel Tailings #34,” Sudbury, Ontario, Canada, 1996 Tailings

Vcrfl: Sebastiano Del Piombo: Portrait Of Ferry Carondelet With His Secretaries, C. 1510–12. The Sheet Of Paper The Sitter Holds Identifies Him As “Archdeacon Of Besançon, Imperial Councillor And Commissioner In Rome.”

Vcrfl:  Sebastiano Del Piombo: Portrait Of Ferry Carondelet With His Secretaries,

The-Paintrist: Crystallizations: Natalia Goncharova, Female Nude (Life Study)(Naturshchitsa), 1908-1909, Oil On Canvas, Tomlina-Larianov Bequest, State Tretyakov Gallery, Moscow. This Painting Was Confiscated After Being On Exhibition For One Day.

The-Paintrist:  Crystallizations:  Natalia Goncharova, Female Nude (Life Study)(Naturshchitsa),

Anton Raphael Mengs (Aussig 1728 - Roma 1779); Maria Luisa Of Parma, C. 1765; Oil On Canvas, 110 X 152 Cm; Museo Del Prado, Madrid

Anton Raphael Mengs (Aussig 1728 - Roma 1779); Maria Luisa Of Parma, C. 1765; Oil

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