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geminiscene: “At the trial of God, we will ask: why did you allow all this? / And the answer will be an echo: why did you allow all this?” — Ilya Kaminsky, from “A City Like a Guillotine Shivers on Its Way to the Neck,”

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

geminiscene:  “At the trial of God, we will ask: why did you allow all this? /

Wehadfacesthen:filming Psycho (Alfred Hitchcock, 1960): Janet Leigh And John Gavin

Wehadfacesthen:filming Psycho (Alfred Hitchcock, 1960): Janet Leigh And John Gavin

Dog Days

Dog Days

Geminiscene: Lou Reed Of The Velvet Underground, 1966.

Geminiscene:  Lou Reed Of The Velvet Underground, 1966.

Dog Days

Dog Days

Dog Days

Dog Days

Geminiscene: Keanu Reeves In My Own Private Idaho (1991)

Geminiscene:    Keanu Reeves In My Own Private Idaho (1991)

Dog Days

Dog Days

Orux: Glenn Gould, 1955

Orux: Glenn Gould, 1955

Dog Days

Dog Days

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Themodernartists: Keith Haring (American, 1958-1990), Untitled, 1984. Sumi Ink On Paper.

Themodernartists: Keith Haring (American, 1958-1990), Untitled, 1984. Sumi Ink On

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