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semioticapocalypse: Bob Carlos Clarke [::SemAp Twitter || SemAp::]

semioticapocalypse:  Bob Carlos Clarke  [::SemAp Twitter || SemAp::]

Androphilia: Photograph By Harley Weir

Androphilia:  Photograph By Harley Weir

Boycrazyladykiller: Attila Richard Lucaks, Untitled, 2003

Boycrazyladykiller:  Attila Richard Lucaks, Untitled, 2003

Blue-Voids: Zhou Xinhua - The Scenery Of The City No. 2, 2014 - Oil On Canvas

Blue-Voids:  Zhou Xinhua - The Scenery Of The City No. 2, 2014 - Oil On Canvas

Ions-In-The-Ether: Stephen Nelson‎asemic Writing: The New Post-Literate

Ions-In-The-Ether:  Stephen Nelson‎asemic Writing: The New Post-Literate

Ions-In-The-Ether: Kit Reutherabstract #915Oil On Canvas, 36 X 32 In

Ions-In-The-Ether:  Kit Reutherabstract #915Oil On Canvas, 36 X 32 In

Nevver: Legoland

Nevver:  Legoland

Nabiloou: Bassam Nasser

Nabiloou:    Bassam Nasser

Ions-In-The-Ether: Robert Cotooctober 11 · Rc15_#1 / Surface.

Ions-In-The-Ether:  Robert Cotooctober 11 ·  Rc15_#1 / Surface.

Ions-In-The-Ether: Carmen Herrera, Black And White, 1952

Ions-In-The-Ether:  Carmen Herrera, Black And White, 1952

Topcat77: Stabilisierter Kern, 1962   Max Bill

Topcat77:  Stabilisierter Kern, 1962   Max Bill

Proleutimpressionists: 64 Days In Heaven And Hell (93)Day 9 (Ctd.) - Going For Burlapgauguin Was A Practical Man. When It Came Down To Saving Money, He Had Ideas And Van Gogh Was Thankful For That.one Of Gauguin’s Ideas Was To Replace Canvas With A

Proleutimpressionists:  64 Days In Heaven And Hell (93)Day 9 (Ctd.) - Going For Burlapgauguin

Lilithsplace: A Sunny Afternoon In 1913, 1957 - Max Ernst (1891–1976)

Lilithsplace:   A Sunny Afternoon In 1913, 1957 - Max Ernst (1891–1976)

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