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ions-in-the-ether: Kit ReutherAbstract #915oil on canvas, 36 x 32 in

ions-in-the-ether:  Kit ReutherAbstract #915oil on canvas, 36 x 32 in

Nevver: Legoland

Nevver:  Legoland

Nabiloou: Bassam Nasser

Nabiloou:    Bassam Nasser

Ions-In-The-Ether: Robert Cotooctober 11 · Rc15_#1 / Surface.

Ions-In-The-Ether:  Robert Cotooctober 11 ·  Rc15_#1 / Surface.

Ions-In-The-Ether: Carmen Herrera, Black And White, 1952

Ions-In-The-Ether:  Carmen Herrera, Black And White, 1952

Topcat77: Stabilisierter Kern, 1962   Max Bill

Topcat77:  Stabilisierter Kern, 1962   Max Bill

Proleutimpressionists: 64 Days In Heaven And Hell (93)Day 9 (Ctd.) - Going For Burlapgauguin Was A Practical Man. When It Came Down To Saving Money, He Had Ideas And Van Gogh Was Thankful For That.one Of Gauguin’s Ideas Was To Replace Canvas With A

Proleutimpressionists:  64 Days In Heaven And Hell (93)Day 9 (Ctd.) - Going For Burlapgauguin

Lilithsplace: A Sunny Afternoon In 1913, 1957 - Max Ernst (1891–1976)

Lilithsplace:   A Sunny Afternoon In 1913, 1957 - Max Ernst (1891–1976)

Tomatodust: “Uprooted”, 2016

Tomatodust:  “Uprooted”, 2016

Lu-Art: East Side Interior Edward Hopper, 1922.

Lu-Art:  East Side Interior Edward Hopper, 1922.

Art-Et-Musique: H.c. Skov

Art-Et-Musique:  H.c. Skov

Lanangon: Matisse The Blue Room

Lanangon:  Matisse The Blue Room

This Is Good. This Is Real. I’m Still Scared Shitless But It’s Really Good. I Want It To Be Something, I Want It To Go Somewhere, But It’s Barely Been Any Time. Patience And We’ll See. I’m So Goddamn Impatient

This Is Good. This Is Real. I’m Still Scared Shitless But It’s Really Good. I

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