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cinemagal: THE GODFATHER (1972)Dir. Francis Ford Coppola

cinemagal: THE GODFATHER (1972)Dir. Francis Ford Coppola

cinemagal: THE GODFATHER (1972)Dir. Francis Ford Coppola

cinemagal: THE GODFATHER (1972)Dir. Francis Ford Coppola

cinemagal: THE GODFATHER (1972)Dir. Francis Ford Coppola

cinemagal: THE GODFATHER (1972)Dir. Francis Ford Coppola

cinemagal: THE GODFATHER (1972)Dir. Francis Ford Coppola

Isabclle:sandra Oh For Net-A-Porter

Isabclle:sandra Oh For Net-A-Porter

Weathercade: Franz Lazi - Mount Etna, 1968

Weathercade: Franz Lazi - Mount Etna, 1968

H-Ollywood:the Most Exciting Director Working Right Now

H-Ollywood:the Most Exciting Director Working Right Now

Heidisaman: “Writing Is About Ideas, Techniques And Most Of All, Discipline.  The Pressure Of Putting The First Word On A Blank Sheet Of Paper Is Agonizing. It’s Almost Like Being Caught In A Corner. It’s Embarrassing. That’s Why I Always Admire

Heidisaman: “Writing Is About Ideas, Techniques And Most Of All, Discipline.  The

Femadols:𝑱𝒐𝒚 𝒗𝒊𝒂 𝑰𝒏𝒔𝒕𝒂𝒈𝒓𝒂𝒎.

Femadols:𝑱𝒐𝒚 𝒗𝒊𝒂 𝑰𝒏𝒔𝒕𝒂𝒈𝒓𝒂𝒎.

Violentwavesofemotion: Paulos, Tr. By Andrew Miller, From “Greek Anthology; Epigrams,” Publ. C. 1918

Violentwavesofemotion:    Paulos, Tr. By Andrew Miller, From “Greek Anthology;

Davidlynch: The Red Shoes (1948) Dir. Michael Powell &Amp;Amp; Emeric Pressburger Drawings Executed By Hein Heckroth &Amp;Amp; Ivor Beddoes 

Davidlynch: The Red Shoes (1948) Dir. Michael Powell &Amp;Amp; Emeric Pressburger

Lesbianheistmovie: Opening Title Sequences By Saul Bass “His Designs, For Film Titles And Company Logos And Record Albums And Posters, Defined An Era. In Essence, They Found And Distilled The Poetry Of The Modern, Industrialized World. They Gave Us

Lesbianheistmovie:   Opening Title Sequences By Saul Bass “His Designs, For Film

Tierras:i Knew We’d Never Be Friends Or Confidants. We’d Let Too Many Chances Pass Us By.archive Moodboard For @Mirroredhrt

Tierras:i Knew We’d Never Be Friends Or Confidants. We’d Let Too Many Chances

Jeonsshi: Yoongi For Marie Claire Korea

Jeonsshi: Yoongi For Marie Claire Korea

Dorkery: Ultraviolet-Divergence: Thecraftychemist: Jumpingjacktrash: Jacknabber: I-Homeostasis: I-Homeostasis: Dude Seeing These Mega High Quality Images Of The Surface Of Mars That We Now Have Has Me Fucked Up. Like. Mars Is A Place. Mars Is A

Dorkery: Ultraviolet-Divergence:  Thecraftychemist:  Jumpingjacktrash:  Jacknabber:

Ozu-Teapot: Ulysse (Short) | Agnès Varda | 1983

Ozu-Teapot:  Ulysse (Short) | Agnès Varda | 1983

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