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iconophages: Rene Clair and Francis Picabia’s breakthrough, reversible ending of their Dadaist film, L’entr-acte (1924)

iconophages: Rene Clair and Francis Picabia’s breakthrough, reversible ending

Love-In-A-Voidd: Sid Vicious By Isabel Reitemeyer

Love-In-A-Voidd: Sid Vicious By Isabel Reitemeyer

Self-Shadowing Prey

Self-Shadowing Prey

Istmos: Cristina Sanches, “Auto-Repetição Em Parede Branca” Www.flickr.com/Photos/Arianadragonapollo

Istmos: Cristina Sanches, “Auto-Repetição Em Parede Branca” Www.flickr.com/Photos/Arianadragonapollo

De-Salva: © Melih Dönmezer

De-Salva: © Melih Dönmezer

Koshigurajumy: Jumy-M Withered Flower / 花の痕跡

Koshigurajumy: Jumy-M Withered Flower / 花の痕跡

Hauntedbystorytelling: Antoine D’agata :: No Title, Japan, 2004 - From Anticorps Book

Hauntedbystorytelling: Antoine D’agata :: No Title, Japan, 2004 - From Anticorps

Crashinglybeautiful: Peter Rose Pulham, Three Surrealist Studies With Hands And Butterflies (1910-1956), 1930S [Source: Sotheby’s] Pilfered From The Extraordinary, Memory Green.

Crashinglybeautiful: Peter Rose Pulham, Three Surrealist Studies With Hands And Butterflies

Goldennothing

Goldennothing

Waswseffortblog: Edvard Munch - Angst.

Waswseffortblog: Edvard Munch - Angst.

German-Expressionists: Wassily Kandinsky Drawing, 1926

German-Expressionists: Wassily Kandinsky Drawing, 1926

Gh2U: Georges Bataille

Gh2U: Georges Bataille

Natashaadrastea: ©Natasha Adrastea ‘In Bathtub With Frida’

Natashaadrastea: ©Natasha Adrastea ‘In Bathtub With Frida’

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