wehadfacesthen: Theda Bara wearing a gown of peacock feathers in Cleopatra (J Gordon Edwards, 1917) With the implementation of the Hayes Code, Cleopatra was judged too obscene to be shown. The last two prints in existence were destroyed by fires at

wehadfacesthen: Theda Bara wearing a gown of peacock feathers in Cleopatra (J Gordon Edwards, 1917) With the implementation of the Hayes Code, Cleopatra was judged too obscene to be shown. The last two prints in existence were destroyed by fires at

wehadfacesthen: Theda Bara wearing a gown of peacock feathers in Cleopatra (J Gordon

Viola-Goes-To-Hollywood: Theda Bara

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Miss-Flapper: “Louise Brooks Is The Only Woman Who Had The Ability To Transfigure No Matter What Film Into A Masterpiece. Louise Is The Perfect Apparition, The Dream Woman, The Being Without Whom The Cinema Would Be A Poor Thing. She Was Much More

Vampdreaminginhollywood: Louise Brooks

Vampdreaminginhollywood: Esther Ralston, 1928 Photographed By Russell Ball

Vampdreaminginhollywood: Anita Louise

Vampdreaminginhollywood: Gloria Swanson

Vampdreaminginhollywood: Doris Hill

Dreaminparis: Mary Ellis

Vampdreaminginhollywood: Carole Lombard, 1930S.

Vampdreaminginhollywood: Mae West

Divadietrich: Director Alfred Hitchcock Watches As Marlene Dietrich (In Dior) Rehearses A Number From “Stage Fright”. The Laziest.

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