eyeofthevoid: Model Charly Stember, standing with a man before a Louise Nevelson sculpture, and wearing an ankle-length, black silk satin print dress with bloused bodice by John Anthony 1974. Photo by Francesco Scavullo.

eyeofthevoid: Model Charly Stember, standing with a man before a Louise Nevelson sculpture, and wearing an ankle-length, black silk satin print dress with bloused bodice by John Anthony 1974. Photo by Francesco Scavullo.

eyeofthevoid: Model Charly Stember, standing with a man before a Louise Nevelson

Supermodelgif: Anne Gunning In A Pink Mohair Coat Outside The City Palace, Jaipur, India, Vogue, November 1956 By Norman Parkinson

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Tim-Theincrediblemachine: Seaside Bubblesron Herron, 1966

Vintageanchor: “The Key To Marriage, She Concluded, Was Just Not To Take The Thing Too Personally.” — From Birds Of America: Stories

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Robbytherobot: Galaxie French Version Of American Magazine “Galaxy”

Barefootmarley: Moebius (Jean Giraud)

Candypriceless: Goldfinger Life Cover By Loomis Dean, November 1964

&Amp;Ldquo;Neveryona&Amp;Rdquo; By Samuel R. Delany 1979-1987

Superseventies: Richard Amsel’s Cover Art For ‘The Divine Miss M’, Bette Midler’s 1972 Debut Album.

S-P-A-C-E-Oddity: Shockyhorror: &Amp;Lt;3 Dammit Janet

Jameyerickson: 1962 Lunar Lander Concept

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