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Creepy Worlds No. 112 (Published by Alan Class and Co). From a second-hand bookshop in Nottingham.
The New Mutants No. 24, Cover Art By Bill Sienkiewicz (Marvel Comics, 1985). From Oxfam In Nottingham.
Page From The New Mutants No. 20, By Bill Sienkiewicz And Chris Claremont (Marvel Comics, 1984). From Oxfam In Nottingham.
Page From The New Mutants No. 21, By Bill Sienkiewicz And Chris Claremont (Marvel Comics, 1984). From Oxfam In Nottingham.
Page From The New Mutants No. 22, By Bill Sienkiewicz And Chris Claremont (Marvel Comics, 1985). From Oxfam In Nottingham.
The New Mutants No. 27, Cover Art By Bill Sienkiewicz (Marvel Comics, 1985). From Oxfam In Nottingham.
The Mephisto Waltz, By Fred Mustard Stewart (Corgi, 1975). From Oxfam In Nottingham. There Was Something Odd, Something Menacing About Duncan Ely And His Raven-Haired Daughter, Roxanne. He&Amp;Rsquo;D Been One Of The Greatest Pianists The World Had Ever Known
The Underpeople, By Cordwainer Smith (Pyramid, 1968). From Oxfam In Nottingham. Downdeep - In The Forgotten Corridors And Caverns Under The Glittering, Crowded Surface Of Old Earth - Live The Underpeople. Mutated From Animal Stock, They Are Man&Amp;Rsquo;S
The Ninth Pan Book Of Horror Stories, Selected By Herbert Van Thal (Pan, 1974). From A Charity Shop On Mansfield Road In Nottingham. Inhuman Humans&Amp;Hellip; The Jolly Uncle And The Dummy That Sucked Blood The Unmarried Mother And The Torture Mask The Film
Roadmarks, By Roger Zelazny (Orbit, 1981). From A Charity Shop On Mansfield Road In Nottingham. Somewhere In New York State Is A Road, Which Few Know How To Find, Which Goes Not To Any Particular Destination But Backwards And Forwards In Time. The Travel
Aleister Crowley: The Black Magician, By C.p. Cammell (Nel, 1969) From A Car Boot Sale In Nottingham.
Tarzan The Terrible, By Edgar Rice Burroughs (Ballantine, 1980). From A Charity Shop On Mansfield Road In Nottingham.
Cage A Man, By F.m. Busby (Hamlyn, 1973). From A Charity Shop On Mansfield Road, Nottingham. He Awoke To Find Himself Lying Naked Among Fifty Sleeping Bodies. The Walls Were Grey&Amp;Hellip;Also The Floor And Ceiling. There Were No Exits Anywhere. This Was
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